Artist photographer and Visual Artist, Master of Arts Julia Weckman (b.1977) is living and working in Espoo.

Crystal, 2021. Size 20x25cm.

Invisible, 2021. Size 20x20cm.

It’s Been Awesome, 2021. Size 20x25cm.

Exhibition in Gallery Harmaja, Oulu in 2021.

Julia Weckman: It’s Been Awesome
Jan Kenneth Weckman: Not Going Somewhere?

It’s Been Awesome: Series of images printed on a glass plate, sizes 20x20cm and 20x25cm.

Error, delay, failure. A view to another kind of reality. Suddenly interesting, like filtered, viewed from a far. Maybe a glimpse of that ‘real’ reality? It showed me people, our volatility, vulnerability, and ridiculousness. Vanity and happiness. The need to be seen. To be loved? All in one. From a distance, so that you can see clearly for a while.

Hope, installation, 2020

Hope?, 2020

Greta Thunberg sailed from Europe to New York in August 2019.
Every day I looked at the map for the crew progressing on their journey, worried about winds, sea routes, rough seas and even the navigator’s adequate sleep. From time to time, I followed Greta’s journey skeptic about the success of the trip, sometimes filled with motherly feelings, but also as a fatalist about the expedition. Since the world would need it right now I lived for two weeks hoping for the best. I don’t know Greta, but I lived this journey with her. Naive, someone would say, but so what. The journey seemed like a historic act, a symbol of hope. On the other hand, it also seemed an impossible attempt to make an idealistic gesture in this world full of hate and hate speech.

The amount of criticism and hate speech was not surprising, it felt mainly sad. I wondered how much energy was wasted on being angry. Does it make feel invincible or survivor?

For me Greta’s sailing was symbolic and an gesture of getting attention to bigger cause. Greta herself seemed like a charismatic figure in her pilgrimage, even though she might not have chosen that role herself.

We live times where people put their hope into the changemakers. It may be a coincidence who takes the leading role, it might also be a well planned marketing plan. We need someone to tell us the answers in this chaos. People clearly long for clarity and answers, and ease them in their anxiety.

Live broadcast on my cellphone. Thunberg finally arrives to New York harbor. The last miles feel slow, it takes hours of waiting. After following the trip it felt too long time to dock. The route is zigzag also in the navigation map. The crew has to wait for the right time to arrive, to meet the civilized society after a journey through the ocean. Sitting on my couch in Finland for more than an hour, I followed the approach. Almost nothing happened during the live broadcast, but it still was an arrival. Significant act of a charismatic person in this time of ours. We’ll see in the future what it really ment.

Broken pixels on the journey of hope, the broadcast has errors. For some reason I wanted to document these errors. Human beings are full of errors, specially when we destroy the world around us. Broadcast interruptions and stalled video footage were significant events as well. I saved them as screenshots. Dozens of them.

Recently, it has been difficult for me to make art that is not connected with the present and take a stand. When the world seems to be burning around us, it’s hard to make art at all. Turning thoughts, feelings, or ideas into material for art has seemed hypocritical. For someone Greta’s act seemed hypocritical, but not for me. And even if it were, it is what all lives are. We will utilize the world until it’s broken for ever. The world could do better without us.

From Close to Far Away, installation, 2017

From Close and Far Away, 2017

”Installation From Close to Far Away is about different interpretations, perspectives, and departure. It is likely that we have many different realities. With these different realities, we can see that we are quite similar in the end. Our interpretations are affected by our own life experience, events, environment and circumstances. Most of us have a strong need to form a vision of things and stay firm in this position. It might be difficult to change your own opinions and perceptions, admit to being wrong or expand your understanding of the world. We are fed variety of truths and it is becoming increasingly difficult to find the right one to trust. However, humanity is often a permanent value. In the end it can and should be trusted.

On the different sides of large sea we experience very different things. In the artwork, two people tell about their own story about making a decision and leaving. The idea of ​​leaving can be frightening and impossible to another, and it is the only possible one to the other. We have to make solutions in life we do not want, or solutions that others do not want us to do. I focus on the crystallized moment of departure, when you realize that this is really my life, it is really happening to me. And that my life will inevitably change if I carry out my move.

In the installation, the viewer is provided with different perspectives on the photograph. A change of perspective by reading the different texts may change the image or the work in the viewer’s mind. In addition, the viewer’s perspective is included. They are all right and possible. The artwork is formed just in this moment. The viewer’s reaction, from the perspective that is being formed and its possible change.

By keeping open minds, we get an understanding of different realities and a full spectrum of opportunities. And that’s what life is. Full of opportunities.”

Circulum II, 2016, diptych, pigment prints, Fotosec

”I study (and photograph) the landscape through my personal experiences and the changes in the society and the world.  In my latest exhibition, my works are telling about the origins and the continuity of life.
In last few years I have been photographing near allotments. The ending fall and cold winter is making all the plants and leaves kneel down on the ground. And when the spring is getting near, they persistently get up again. It tells me about life, the origins of the plants, and the order of the nature. I am interested in the code that is in the plants and seeds. It makes the rebirth possible every time again and again. But what if the rebirth does not happen?
I can see my dystopic vision in an intimate, personal and mental level or more general and concrete, maybe urban or global level, but also on a planetary level. All those levels are essential and true to me. The menacing image of global warming, melting of the arctic glaciers, over exploitation of natural resources, genetic manipulation of crop and plants, feeding the mankind at the expense of the environment, the growing pollution of industry and the forcening climate change are things that I think about in my everyday life. I have heard about a certain collective concern during the cold war, and collective environmental guilt today. We face the information 24 hours a day, we recognize what happens around us and get frustrated of the feeling of inadequacy.
The evening starts to darken – Pillow talk – when the lonely monologue starts with words or in dreams (or nightmares), I can feel the weight of our temporary existence and vulnerability on my skin. I truly believe, that in the end, we betray the expectations and finally destroy our planet with our greediness and indifference.
But would there still be a small seed of a plant, the miraculous code stayed hidden somewhere, hidden safe from us and it could rebirth again?
And there would start an era, where WE would not even exist.”

Julia Weckman, Untitled, 2014, pigment print, 100x142cm
Julia Weckman, Untitled, 2014, pigment print, 100x142cm
Exhibition Pillow Talk in Gallery Rantakasarmi, 2015